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Phone Camera Photography

Use Your Phone Camera Successfully

Use One Technique to Take Photos Like the Pros

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by Joseph T. Sinclair

Do you ever ask your­self, how do pro­fes­sion­al pho­tog­ra­phers get bet­ter pho­tos than me? I do. One answer is sur­pris­ing. They sim­ply take more pho­tos. I can remem­ber back in the days of film going out shoot­ing with a pro. I would take one long roll of film and come home with 36 shots. My pro com­pan­ion would take six rolls and come home with 216 shots. Did he get bet­ter pho­tos? Sure. He had a sta­tis­ti­cal advan­tage of six to one. Sta­tis­tics aren’t every­thing, but a six to one ratio is nonethe­less a sig­nif­i­cant advantage.

The cost of the film was a con­sid­er­a­tion. You had to have a lot of con­fi­dence that you would get some great shots in order to jus­ti­fy the expense of six rolls instead one. Gen­er­ous shoot­ing just wasn’t part of an amateur’s nor­mal repertoire.

Today we have no excuse. We can improve our pho­tog­ra­phy a lot just by tak­ing more pho­tos. Lots more. Mem­o­ry is cheap, and that’s what’s required to take a lot of pho­tos. Most smart­phones come with plen­ty of mem­o­ry for pho­tos, unless you load up your phone with music. Many phones also come with a slot to add a mem­o­ry card to increase your mem­o­ry for both pho­tos and music.

Here’s the only good shot I took of nine that were almost identical.

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A pro might have tak­en two or three times as many shots and got­ten a bet­ter photo.

Don’t blame a dearth of great pho­tos on your phone cam­era. Your phone cam­era has as much (or more) pho­to­graph­ic pow­er as pro­fes­sion­al dig­i­tal cam­eras of just ten years ago. And pro­fes­sion­als got great pho­tos then. Shoot a lot, and you’ll get great pho­tos now.

When you go out shoot­ing, take a moment at the site to plan ahead to get plen­ty of shots in order to thor­ough­ly cov­er the pho­to op. Then start shoot­ing. Shoot until you cov­er all the angles (lit­er­al­ly). Take your time. Don’t walk away until you’re satisfied.

Of course, using this tech­nique does take some fore­thought. You need to upload your pho­tos from your phone to your com­put­er, tablet, or stor­age device at the end of each shoot­ing ses­sion (e.g., at the end of the day). Make it a habit to do this so you can shoot up a lot of pho­tos each day with­out ever run­ning out of memory.

Lots of shots also ampli­fy anoth­er great tech­nique: the sec­ond look. Many times I’ve gone through all the pho­tos I’ve tak­en for the day and picked out the best shots. A week, a month, or even a year lat­er I’ve gone through a sec­ond time to dis­cov­er I’ve missed a good shot the first time around. If you take a lot of pho­tos, this pos­si­bil­i­ty is much greater than if you take just a few pho­tos. And I’ve found a sec­ond look to be con­sis­tent­ly productive.

Here’s a sec­ond-look shot that I think is inter­est­ing. Dis­cov­ered it about a year after I took it.

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In addi­tion, keep WYSIWYG (what you see is what you got) in mind. You can check your pho­tos on the screen of your phone to deter­mine whether you got the pho­to you want­ed. Couldn’t do that with film. Take advan­tage of this remark­able tech­nique. You can not only take plen­ty of shots, but you can also check to see that you got a good group of shots from which to pick a great pho­to later.

Here’s one shot of four in low light at sun­set that turned out to be worth keep­ing. The first shot is blur­ry and caught some­one’s phone. The sec­ond shows the gui­tar play­er’s head blurred. Anoth­er (not shown) had some blur in it too.The last shot (third below) is OK.

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Take four instead of one. More is bet­ter. Had I tak­en only one, I would have missed get­ting a usable photo.

Hey, shoot­ing lots of pho­tos is just more fun. Some­thing about unre­strained shoot­ing brings more sat­is­fac­tion. With expe­ri­ence, you also devel­op the con­fi­dence that you’re going to be more suc­cess­ful (in get­ting good photos).

The nice thing about phone cam­eras is that the unfet­tered pho­to shoot is always avail­able to you on a moment’s notice. When that pho­to op comes along, pull out your phone and start shoot­ing. Let no killer pho­to escape.

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